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That's what I SAY givin this kid! such a bullshit dressin' down and opening with such absa-fuckin' LUTE GARBAGE tells me you MADE THE 'BIG time' here and just wanna stretch yer legs a bit now and I DON"T know if I CAN STAND to watch another fuckin' MINUTE of this fuckin' GARBAGE I MEAN sam JACK????what a total fuckin' NIGGER TO have even TRAvOLTA super-fuckin' cool here PANDERING TO???? That's how it was for the cool-kid crew in the 1990s PULP THOUGH i don't think ya hit it really but for a simple instant in the very intro in the lobby where this kid lives. BUT::::the openin-credit song switcheroo????musta mean\t\ a very GREAT DEAL at the time as it still does; and does* INDICATE that the SCENE is IN****, the theatre itselff(or the ongoing mutilation of the PUBLIC's consciousness, one suspects; but, for surely::::appraisal of one's self as APPRAISABLY***************part of a("mother-fuckin' ass-cookin' cock-suckin' MOTHER FUCKIN' , WHAT????", an in. Group. CLIQUE?????MAN mother fucker I OUGHTA FUCKIN' staple yer fuckin' WHITE ASS FUCKIN ASS TO THE MOTHER_FUCKIN WALL. MY MAN: this ain't gonna land well for yuh here I AM TELLING YOU TO STOP FUCKING PRETENDING thaet QUENTIN FUCKIN' TAR and TINO fuckin' GOTS the a-game shit in this thing I MEAN IT IS THE mother-fuckin' MOTHER-MUTHEr FUCKIN' 19 fuckin' NINETIES fuckin' MY MAN!

AND IF YOU do. not. HEAR!!!!????it. IN MY MOTHER-fuckin, cock-suckin JEW-suckin' MOTHER-fuckin' VOYCE????\DUD. FUCK that shit\the whole room's played out on this mother-fuckin' culture cred crap an, zed man, yeah he was"dead fuckin' ANYWAYS????"