Chris. Nolan's ODYSSEY: A MISCAST ROLE NOT WORTH WATCHING

EVEN HITLoveJoy WOULD TAKE A SHIT ON IT. P. Ey. ESS. ESS..xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

BLUE jasmine(2013->infinity(.no longer.

"COME get yer fuckin' OREOS lorainee, I GOTA lecher!ova hear!on that fuckin' dipshit turbinado they's al bin talkin a BOwT, dat book a ADAMSMITH's--ANDREW dice CLAY!mother-fuckers! Whahn't some fuckin' WANKER dipshit loser man!xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

THE HERO(2021!(: actually FARHADI missed

An ARTIST! does not MUSTa/BE~a/ah FISH. OK, Farhadi, thaet is the simple truth a bit more BACKbone!!!!!is!actually,required,of.someone.to.be.anything.at.all(and the reason I CAN't watch your entire PICTURE is because YOU NEED IT TOO and need to 'man up' and PROVIDE THE FUCKIN' INDICTMENT.).

AND YE

BEFORE SUNRISE blackmagic POCKET????HOLEY SHIT MAN, what fuckin' GARBAGE.

ON BLU-ray, in any case I CANNOT EVEN WATCH THE THING(even on PLASMA at 24-flickr a minute you know it's fuckin' DISGUSTING LOOKING and you know what thaet still is above????(:it's the bitches reaction."I thoughtyou had a PLANE TO CATCH is her ARGUEMENTATIVEfuckin' BEGINNING? AGAIN? What a fuckin' J

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

Yeah: And this is HARRISON FOrD's LIMOUSINE and my monkey-driver a fuckin' FULL-blown PhD.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

How to RUN FROM THE LAW:

which means::::for YOUr Life-Standard they are FOR-sure GOING to remove with NO JUST cause what so ever.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

THE BIGGEST NIGGER IN CINEMA IS thommy LEE JONES.:::The Fugitive(1993)

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The Fakest! Lookin' BunchaTrash in the Known Universe?

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The INCOMPARABLE ROBERT REDFORD?

The GERIATRIC discipline of FILM'reviewing' has today so devolved in standards thaet it no longer even cares that a film*is MEANT TO BE a SURPRISE. THERE IS NOTHING SURPRISING about what the C.i.A. wants to do with LEO diCAPrIO\any longer he is meant to FOMENT a total annihilation complex on AMERICA

A river actually RUNS OUT OF THE UNITED STATES mrREDFORD

It is no longer acceptable to worship cinema. It is not thaet it GETS things WRONG, actually; it's, rather::::that it gets it TOO CORRECT for its OWN GOOD...xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

10-Point System on Figgerin' Out the Cinema of the UBER-WEALTHY

There's no POINTS here just a long diatribe with some material for logical re-binding of this cinema mish-mash to the present it pretends its the future of when its really the present this is the future FOR:::xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx

What The Big Short is Not

While an honest and valuable film that takes a look at the under-explored causes of the 2008 Financial Crash, the film's final judgment is rather thin and unsatisfying and reminds us what Scorcese accomplised with his Wolf of Wallstreet.xxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxxx