Cinemicity

the PULP FICTION corner.

More Cinematicity

Sleepless in SEATTLE 1992. THe last time it was possible to MAKE A film.

Le Passé(2013):::::working a HARREM-life?NOT this AUTHOR's CUPaTAY tay. WORKING, THOUGH!?? YES.

Pulp FICTION(1993/4): AIN't nOBODY gonsta have a BEED on THIS here NIGGER.

ANORA(2024)!What yer MOVIES::::do not DO FER ME MY MAN is activate my PUSSY/

PELICAN brief(1993)::::

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

SNEAKERS(pre-MISSION IMPOSSIBLE for sure(1992, REDFORD's Geriatric DREAM machinal/

Dumb and Dumber To: a Cinematic Encounter with an Old Friend (and with 1994)

Review: Dune, Part Two

Chris. Nolan's ODYSSEY: A MISCAST ROLE NOT WORTH WATCHING

BLUE jasmine(2013->infinity(.no longer.

"Why don't you take a culture-shit on sombody?"

another NIGGER lookin for a war?

This image for this ARCHIVE steven SPIELBERG what a joker s las t laugh on KODAK

Pillow TALKING the 1950s are NOT A PLAYGROUND for fuckin' TRASH

EricROHMER's L'Amour, l'après-midi(Love in the AFTERNOON), 1972!)/(

Hong SANG-soo's THE WOMAN WHO RAN the show!(2021).

FBIwarnings?NO: ILLEGAL COPYRIGHT ENFORCEMENT

SEMBLAGE-space and the REFORMATIONALISM of CINEMA inherent in THOUGHT in Richard Linklater's Before Sunset(2004):

"CINEMA" in 2025: EXCLUSIVE all-total every bit of it: NAZ.

THE FEEL OF EUROPE IS NOT A GUARDED SECRET, bro.

DELPY's Point With ETHAN? HE IS *not*that! attractive for god's sakes.

WELL, turns-out, THE NEW YORKER TIMES? CAN look decent with a FULL-page junk-phoneADvert atop its MASTEDness......

THE HERO(2021!(: actually FARHADI missed

ANTHONY hopkin,jr. RIP. PAL i doubt you'll be hear to even read this one.

SO, thanks AMAZON::::I can JUMP to the NEXT flik, 'fore this has EVEN faded......

TOTALLY cool photos from Asghar FARHADI's genius FILM the SALESMAN....

le passé\accnt\egue\:::2000and 13 the babeINIT is awesome cause she is NOT HOOKER PORN for some MUFFA.

ASGHAR?NO: this LOSERS' own version of a FAKE LIBERAL tarded LIFE::::LE passe for sure(2013!.

Asghar FARHADI's, Le PASSE,part UN.

THIS! is the coolest bitch in the world. MM, kay? LIBTARDED sweet as pie my littleBUUT er fl \ie\.

"LISTEN BITCH, the way yer LOOKINlike assWIPE shit I aint taking your`*`thoughts"

I spent half my life LIVIN' in A PRANKSTERS' PARAdice.\\\\

Fair DINKUM JIM CAREY here is YOUR HOMAGE.

The last MOHICAN standing in this world has a new VANITY fairing SYSTEM for MAGAZINAL work.

ANORA(2024)!What yer MOVIES::::do not DO FER ME MY MAN is activate my PUSSY/

NEWS

BEFORE SUNRISE blackmagic POCKET????HOLEY SHIT MAN, what fuckin' GARBAGE.

1997: /////Elliot SMITH *could*have,indeed, Maw/uST/A\-DROVE a Honda Civic Standard.

THE Fugitive(1993): Conflicting NOTIONS OF JUSTICE "at PLAY my FRIEND."

How to RUN FROM THE LAW:

THE BIGGEST NIGGER IN CINEMA IS thommy LEE JONES.:::The Fugitive(1993)

Forrest GUMP(1994).

ANAtomYof A CRIMINAL ENDEAVOUR TO refactor AMBITION for HARVARD.

GOOD WILL hunting. period.

HERE is SLOTERDIJK's answer to what a table IS:

Jacques RANCIERE? Got one thing right about the CLAMOUR for the STARS.

Tay man swipe this guys dick for a hairraising moment of his life and he'll ALWAYS DELIVER THE JEW BS. SHIT TOTAL TRUE BUD.

The Fakest! Lookin' BunchaTrash in the Known Universe?

ROCKY 2: What Fuckin' DOGSHIT

Cinema: A Secular Philosophical Machine?

CERTAIN TRASH Jenn. Law is definite pander on faking life so hard it comes out your ugly face all day and night

The INCOMPARABLE ROBERT REDFORD?

Beauty?The ENGRAVENimage of Beauty and the BEAST!

I JUST can't WAIT`*`TO be KING: The Lion King(1994.)/./././././.

Tatanka "there's more native american in Dances with WOLVES thaen the YANKEES ever didn't pay fealty to.

THEY made a liberal nightmare so people didn't have to look shitty on TELEVISION they say.

"I GO/o/T IT MY MAN", (I just CANNOT fuckin' S-T-A-N-D|\runnin' game (in my. own. HOME. TOWN, for CHRISTS'SAKES/."--ROCKY BALBOA.))/.

The GREAT? NO: pathetic escape of JOHN TRAVOLTA from LIFE?????

HErEsz' LOOKin' at YOUKID,supposed ta bEROMANTIC?al?/NO! NOt for a BITCH!

CASABLANCA on laser discer?THE epitome of old-school COOL.

A river actually RUNS OUT OF THE UNITED STATES mrREDFORD

WHAT IS THE broadcasting RECOMMENDATION for the FUTURE:LASERDISC!

SO:Since melGIBson refused to give me specifically COPYright\

Asghar FARHADI's, Le PASSE,part UN.

LIVE

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by The Editor

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THIS IS JUST A NOTICE to women::::you can no longer cheat, lie;and STEAL, YOUR WAY to a nobel peace prize in this world it is SIMPLY THE LAST REFUGE OF HATRED of the BOUr'd-OUA-ZIE\and the same can be said for this DIRECTOR himself. HIS encounter with EURO-activism(which is ESSENTIALLY what the culture there is actually, which IS:::a variation of MARXISTic LIFE standardsz)(:must have a similar history to many of those, from without of THE LANDEDNESS of LIFE THERE(cause it DOES*form a SEVERE leverage on the diplomatic CORE? NO: it is all the bitches there got the cache, to extract. AND EXTRACT they do until they land-up with the FUCKIN" WHAAAATTTT!??? DRY-cleaner. YOU're telling me this super-swank!bitch is got a HOOK FOR A simple maid?[WAIT JUST.a. second,bud: HE COULD a spaniardBE! one from ALGERIA maybe[which does make a pointRE:the nativistic-enclave.ekeing it out there for immigrants TRYING to get LANDED!]BUT, YEAH:::::: thaet is the BEAUTY of the marxist cause from there and abroad really it is NON-selective UNTIL YOU REALIZE it SURE AS FUCK!!!!(ibid, please excuse the violence:-)but it is::::ALSO,aselection on FALSEIFICATIONALLIVINGas a shared endeavor: : : : :cauase they all ARE SO LIBERAL THEY THINK THEY will(as with this girl)subject their CHILDREN TO THE ABUSE OF A NATURAL BORN HOOKER.
[AND SO ALSO::::a pro-bono ADVANCE NOt;but:::LOAN on the interpretation:this IS BEAUTIFULLY FILMED and slightly cropped it looks like so on a STOLEN avi?NOT looking too shabby to say::::a film-standard is worth keeping for some things.]

And(although we can surmount the problem of interpreting it is is OBVIOUS,what that it is:::I mean::::the past is thaet which cloaks your mother-fuckin' PRESENT in its own hollow-husk(as THE PRESENT), but ANYWAY, here's this FUCKIN' LOSER

ACTUAL iranian business-class person hood before HE?????NO, man he is sellin' CARPETS right fuckin' NOW. NOT totally he'd say, he "lives in the coolest country on earth not subject to CIA-jurisdiction." RIGHT? Yeah, true. NOT A bad place to live(FRANCE?THE PERFECTplace for those smokes there in thaet BEAUTIFUL AUSTRO-HUNGARIAN HOME ON THE TRAIN-TRACKS NOT(but somewhere else I SURMISE IT is NOT FRENCH PRECISELY but maybe EVEN????IRANIAN.....well, in any case, the perfect smokes were there, in the rain, at night boom. WHICH IS ALSO::::it is NOT*unacceptable to play the role of a HERO.in IRANIAN-culture. FOR.ON.E\simpul. REAZON\\\:::::it is NOT a working-class aspiration they have over there,actually::::it is a zero-sum game on WOMEN.

BUT, AS AN ISSUE pertaining on the HOSTAGE-syndrome a false-MOHAMMADISM!playing across the population::::fair-enough, it is NICE TO recognize a complete and TOTALL-talking through a la BERGMAN, the truth and integrity of EURO person-hood standards. WHICH DOES make this a COUNTERPOINT!to his other films(in IRAN!(: and one thaet does stand the test of time because NOBODY HAS seriously BOTHERED*to care how EUROPEANS, ACTUALLY, recognize one-another as bretheren. FORCE MAJEURE(2014)is this movie actually from within the european CONTEXT(and it's AMERICAN REMAKE ITs comedic SOLUTION[because it is true that smoking***acigarette is the smallest REVOLUTIONARY act.AND NOBODY there trulyWILLDOANYTHING MORE TO THE statusquo thaen grit and bear it all(or ignore it, like INVOLUNTARY(2008))], because the INVOLUNTARY NATURE OF THESE THINGSisthe IMPETUS.(rather thaen its dilemma. AND nor a DILEMMA*******that can SPAN THE ENTIRETY OF SOCIAL INTERCOURSE AND EXCHANGE(as FARHADIdoes!seem to presume is POSSIBLE when in fact it is the BINDEDNESS of european culture itself he has depicted to an extent[as it envelopes itself in its own failure].